Semiotics II (Discussion)

1. Ellen Seiter, in Channels of Discourse, writes, "The picture [of Fangface] itself is a syntagm. ... In the paradigmatic dimension the options are a pair of categories nature/culture (or animal/human...), which is the source of the image's meaning." She continues, "...Hodge and Trip have introduced the binary opposition (nature/culture) and proceeded to organize the elements of the television image into paradigmatic sets."
   • List three or four "paradigmatic sets" in the "Prophecy Girl" episode of Buffy the Vampire Slayer.
     • Group 1 Gia or Bryan:
     • Group 2 Abigail or Alex:
     • Group 3 Carvel or Ryan:
       1. Living/Dead
       2. Toughness/beauty
       3. Reality/abnormality
     • Group 4 Kara or Hannah:
2. List two strength(s) of semiotic/structuralist analysis. List two weaknesses of this approach (no, a difficult vocabulary does not count).
   • • Group 1:
     • Group 2:
     • Group 3:
       • Strengths-
         1. How the meaning is created rather then what the meaning is
         2. Helps understand relationships
       • Weaknesses –
         1. There is no gray area
         2. Not structured well, can be very broad
     • Group 4:

Bibliography

1. Butler, Jeremy G. Television: Critical Methods and Applications. Mahweh, NJ: Lawrence Erlbaum Associates, 2007.
2. Robert C. Allen, Channels of Discourse, Reassembled, second edition (Chapel Hill: University of North Carolina Press, 1992).

See also

• Semiotics (Discussion)

External links

• The Wonder Years (1991) illustrations
• Buffy the Vampire Slayer (1997) illustrations
• Fangface (1980) illustrations
• Chapter 13 illustrations