Difference between revisions of "Semiotics II (Discussion)"
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#Ellen Seiter, in ''Channels of Discourse'', writes, "The picture [of Fangface] itself is a syntagm. ... In the paradigmatic dimension the options are a pair of categories nature/culture (or animal/human...), which is the source of the image's meaning." She continues, "...Hodge and Trip have introduced the binary opposition (nature/culture) and proceeded to organize the elements of the television image into paradigmatic sets." | #Ellen Seiter, in ''Channels of Discourse'', writes, "The picture [of Fangface] itself is a syntagm. ... In the paradigmatic dimension the options are a pair of categories nature/culture (or animal/human...), which is the source of the image's meaning." She continues, "...Hodge and Trip have introduced the binary opposition (nature/culture) and proceeded to organize the elements of the television image into paradigmatic sets." | ||
| − | #* | + | #*List three or four "paradigmatic sets" in the "Prophecy Girl" episode of ''Buffy the Vampire Slayer''. |
| − | # | + | *'''Group 1:''' |
| + | *'''Group 2:''' | ||
| + | *'''Group 3:''' | ||
| + | *'''Group 4:''' | ||
| + | #List two strength(s) of semiotic/structuralist analysis. List two weaknesses of this approach (no, a difficult vocabulary does not count). | ||
| + | *'''Group 1:''' | ||
| + | *'''Group 2:''' | ||
| + | *'''Group 3:''' | ||
| + | *'''Group 4:''' | ||
== Bibliography == | == Bibliography == | ||
Revision as of 13:50, 29 October 2009
- Ellen Seiter, in Channels of Discourse, writes, "The picture [of Fangface] itself is a syntagm. ... In the paradigmatic dimension the options are a pair of categories nature/culture (or animal/human...), which is the source of the image's meaning." She continues, "...Hodge and Trip have introduced the binary opposition (nature/culture) and proceeded to organize the elements of the television image into paradigmatic sets."
- List three or four "paradigmatic sets" in the "Prophecy Girl" episode of Buffy the Vampire Slayer.
- Group 1:
- Group 2:
- Group 3:
- Group 4:
- List two strength(s) of semiotic/structuralist analysis. List two weaknesses of this approach (no, a difficult vocabulary does not count).
- Group 1:
- Group 2:
- Group 3:
- Group 4:
Bibliography
- Butler, Jeremy G. Television: Critical Methods and Applications. Mahweh, NJ: Lawrence Erlbaum Associates, 2007.
- Robert C. Allen, Channels of Discourse, Reassembled, second edition (Chapel Hill: University of North Carolina Press, 1992).
