Difference between revisions of "TCF112/Classical Hollywood Cinema"
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==The Arrival of Sound== | ==The Arrival of Sound== | ||
| − | * | + | *''The Jazz Singer'' (1927) |
**Al Jolson | **Al Jolson | ||
*'''A backwards step for film art''' | *'''A backwards step for film art''' | ||
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***C causes D | ***C causes D | ||
**Closure | **Closure | ||
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==Visual Style== | ==Visual Style== | ||
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***Match-on-action | ***Match-on-action | ||
***Eyeline match | ***Eyeline match | ||
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| + | [[Category:TCF112]] | ||
| + | [[Category:TCF112 Lecture]] | ||
Latest revision as of 21:31, 14 August 2019
The Arrival of Sound
- The Jazz Singer (1927)
- Al Jolson
- A backwards step for film art
- Studio productions (no location work)
- Fewer close-ups
- Little or no camera movement
- Dialogue heavy
- No post-production mixing
- 3 stages of production
- Pre-production
- "Production"
- Post-Production
- 3 stages of production
Narrative structure
- Production Code (1934)
- Conventional narrative structure
- One or two protagonists
- Desire catylizes story
- Antagonist
- Cause-effect chain
- A causes B (effect)
- B causes C (effect)
- C causes D
- Closure
Visual Style
- Three-Point Lighting
- Key, Fill and Back Lights
- The Continuity Editing System ("invisible" editing)
- The 180 Degree Rule
- Axis of action
- Screen direction
- Shot-counter shot
- Match cuts
- Match-on-action
- Eyeline match
- The 180 Degree Rule
