Difference between revisions of "JCM412512/Sound (Discussion)"
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'''Sound Perspective''' | '''Sound Perspective''' | ||
− | #'''Group 2:''' Explain the concept of sound perspective. How do | + | #'''Group 2:''' Explain the concept of sound perspective. How do conventional microphone positions affect it? Explain how Figure 10.6 from ''Television: Critical Methods and Applications'' illustrates ''mismatched'' perspective between the image and the sound. |
[[Image:Fig10-06 UglyBetty20100414qq34 03qq.jpg|thumb|300px|''Television'' Figure 10.6: ''Ugly Betty''. [http://criticalcommons.org/Members/jbutler/clips/uglybetty_hellogoodbye00_33_05.mp4/view? See Critical Commons video clip].]] | [[Image:Fig10-06 UglyBetty20100414qq34 03qq.jpg|thumb|300px|''Television'' Figure 10.6: ''Ugly Betty''. [http://criticalcommons.org/Members/jbutler/clips/uglybetty_hellogoodbye00_33_05.mp4/view? See Critical Commons video clip].]] | ||
Revision as of 14:57, 30 January 2012
Sound Perspective
- Group 2: Explain the concept of sound perspective. How do conventional microphone positions affect it? Explain how Figure 10.6 from Television: Critical Methods and Applications illustrates mismatched perspective between the image and the sound.
Space, Time and Narrative (Diegesis)
Using the clips from from Traffic and Damages:
- Group 3: Explain how they use nondiegetic sound. (Bonus question: how does Damages use a nondiegetic image, too?)
- Group 4: Explain how they use sound that is not simultaneous with the image. Is this non-simultaneous sound earlier or later than the image?
Digital Versus Analog Recording
- Group 1: Explain the difference between analog and digital sound recording.
Bibliography
- David Bordwell and Kristin Thompson, Film Art: An Introduction (McGraw-Hill).
- Jeremy G. Butler, Television: Critical Methods and Applications (Routledge)