Difference between revisions of "JCM412512/Sound (Discussion)"

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'''Sound Perspective'''
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<gallery mode="packed" heights=200px>
#'''Group X:''' Explain sound perspective. How do the four conventional microphone positions affect it? Explain how Figure 10.6 illustrated mismatched perspective between the image and the sound.
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File:Fig10-06 UglyBetty20100414qq34 03qq.jpg|alt=''Ugly Betty'' screen shot.|Sound perspective mismatch in ''Ugly Betty''. [http://www.criticalcommons.org/Members/jbutler/clips/uglybetty_hellogoodbye00_33_05.mp4/view Click for video clip.]
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File:Mad-Men-January-on-set l.jpg|alt2=''Mad Men'' screen shot.|''Mad Men'': common mic position.
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</gallery>
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'''Group 5: Sound perspective'''
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#What is ''sound perspective'' in film?
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#What are the different types of microphone pick-up patterns? How do they affect sound perspective? E.g., how would you describe the likely sound perspective of the ''Mad Men'' scene above?
  
'''Space, Time and Narrative (Diegesis)'''
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'''Groups 1 and 2: Sound and time'''
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#The time frame of a narrative scene's sound need not match the time frame of its image.
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#*'''Group 1:''' How is time manipulated in this [http://tvcrit.com/find/damages ''Damages''] scene?
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#*'''Group 2:''' How is time manipulated in this [https://vimeo.com/345041314 ''Traffic''] scene?
  
Using the clips from from [http://www.tcf.ua.edu/EO/DV/FilmArt/Traffic.htm ''Traffic''] and [http://criticalcommons.org/Members/jbutler/clips/Damages20070814qq00_00_00qq-Desktop.m4v/view ''Damages'']:
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'''Groups 3 and 6: Diegetic and nondiegetic sound'''
#'''Group X:''' Explain how they use nondiegetic sound. (Bonus question: how does ''Damages'' use a nondiegetic image, too?)
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#What is a ''diegesis''?
#'''Group X:''' Explain how they use sound that is ''not'' simultaneous with the image. Is this non-simultaneous sound earlier or later than the image?
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#*What is diegetic sound? Nondiegetic sound? Provide examples--from actual films or make them up.
  
'''Digital Versus Analog Recording'''
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'''Group 4: Sound technology'''
#'''Group X:''' Explain the difference between analog and digital sound recording.
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#What are the three main types of sound in film and TV production and how do digital audio workstations mirror those three types? ([http://tvcrit.com/find/protools See ''Ugly Betty'' ProTools layout for music editor.])
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#Explain these terms in the context of digital audio: sampling, dynamic range, and frequency response.
  
== Bibliography ==
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'''Sound-image interaction exercise'''
#Jeremy G. Butler, ''Television: Critical Methods and Applications'' (Routledge)
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#David Bordwell and Kristin Thompson, ''Film Art: An Introduction'' (McGraw-Hill).
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What does ''Television'''s exercise (using a [http://tvcrit.com/find/audioexperiment see 1957 Dodge commercial]) illustrate?
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#As a group, choose a well-known song that, if laid over the commercial, would change its meaning. (No R-rated songs, please.) We'll find an excerpt of it online and lay it over the commercial. Be prepared to explain to the class how your song changes the commercial's meaning.
  
 
==External links==
 
==External links==
#[http://www.tcf.ua.edu/EO/DV/FilmArt/index02.htm ''Film Art'' examples]
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*[https://tvcrit.org/Classes/Jbutler/TVCrit2018_images_ByChapters/11/# Sound chapter illustrations]
#*[http://www.tcf.ua.edu/EO/DV/FilmArt/Traffic.htm ''Traffic'' example]
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*[http://tvcrit.org/EO/DV/Dodge1957/ Dodge commercial] or [http://criticalcommons.org/Members/jbutler/clips/dodge1957commercial_originalaudio.mp4/view Critical Commons version]
#*[http://www.tcf.ua.edu/EO/DV/ManEscaped.htm ''A Man Escaped'' example]
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*[http://tvcrit.com/find/damages ''Damages'' sound-time manipulation]
#[http://tvcrit.com/find/greysanatomy ''Grey's Anatomy'' scene]
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*[http://tvcrit.org/Classes/Jbutler/T340/ClassicismIllustrations01.htm Classical Hollywood sound examples]
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*[http://tvcrit.org/EO/DV/FilmArt/index02.htm ''Film Art'' examples]
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**[https://vimeo.com/345041314 ''Traffic'' example]
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**[https://vimeo.com/347836670 ''A Man Escaped'' example]
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*[http://tvcrit.com/find/greysanatomy ''Grey's Anatomy'' scene]
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== Bibliography ==
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#Jeremy G. Butler, ''Television: Visual Storytelling and Screen Culture'' (New York: Routledge, 2018).
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#David Bordwell and Kristin Thompson, ''Film Art: An Introduction'', (New York: McGraw-Hill).
  
[[Category:TCF440/540 Discussion]]
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[[Category:JCM412/512 Discussion]]

Latest revision as of 02:17, 23 January 2020

Group 5: Sound perspective

  1. What is sound perspective in film?
  2. What are the different types of microphone pick-up patterns? How do they affect sound perspective? E.g., how would you describe the likely sound perspective of the Mad Men scene above?

Groups 1 and 2: Sound and time

  1. The time frame of a narrative scene's sound need not match the time frame of its image.
    • Group 1: How is time manipulated in this Damages scene?
    • Group 2: How is time manipulated in this Traffic scene?

Groups 3 and 6: Diegetic and nondiegetic sound

  1. What is a diegesis?
    • What is diegetic sound? Nondiegetic sound? Provide examples--from actual films or make them up.

Group 4: Sound technology

  1. What are the three main types of sound in film and TV production and how do digital audio workstations mirror those three types? (See Ugly Betty ProTools layout for music editor.)
  2. Explain these terms in the context of digital audio: sampling, dynamic range, and frequency response.

Sound-image interaction exercise

What does Television's exercise (using a see 1957 Dodge commercial) illustrate?

  1. As a group, choose a well-known song that, if laid over the commercial, would change its meaning. (No R-rated songs, please.) We'll find an excerpt of it online and lay it over the commercial. Be prepared to explain to the class how your song changes the commercial's meaning.

External links

Bibliography

  1. Jeremy G. Butler, Television: Visual Storytelling and Screen Culture (New York: Routledge, 2018).
  2. David Bordwell and Kristin Thompson, Film Art: An Introduction, (New York: McGraw-Hill).