Difference between revisions of "JCM412512/Sound (Discussion)"
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'''Sound Perspective''' | '''Sound Perspective''' | ||
| − | #'''Group 4:''' Explain the concept of sound perspective. How do the four conventional microphone positions affect it? Explain how Figure 10.6 | + | #'''Group 4:''' Explain the concept of sound perspective. How do the four conventional microphone positions affect it? Explain how Figure 10.6 illustrates ''mismatched'' perspective between the image and the sound. |
| − | [[Image:Fig10-06 UglyBetty20100414qq34 03qq.jpg|thumb|300px|''Ugly Betty'']] | + | [[Image:Fig10-06 UglyBetty20100414qq34 03qq.jpg|thumb|300px|''Television'' Figure 10.6: ''Ugly Betty'']] |
'''Space, Time and Narrative (Diegesis)''' | '''Space, Time and Narrative (Diegesis)''' | ||
Revision as of 16:10, 31 January 2011
Sound Perspective
- Group 4: Explain the concept of sound perspective. How do the four conventional microphone positions affect it? Explain how Figure 10.6 illustrates mismatched perspective between the image and the sound.
Space, Time and Narrative (Diegesis)
Using the clips from from Traffic and Damages:
- Group 1: Explain how they use nondiegetic sound. (Bonus question: how does Damages use a nondiegetic image, too?)
- Group 2: Explain how they use sound that is not simultaneous with the image. Is this non-simultaneous sound earlier or later than the image?
Digital Versus Analog Recording
- Group 3: Explain the difference between analog and digital sound recording.
Bibliography
- Jeremy G. Butler, Television: Critical Methods and Applications (Routledge)
- David Bordwell and Kristin Thompson, Film Art: An Introduction (McGraw-Hill).
