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{{Template:Visual Studies Course [[Category:Visual Studies Courses/TCF]]

'''JCM 311 Critical Studies in Television''' is a discussion-oriented course taught by [[User:Jeremy Bu *[[Television Studies: An Overview (Discussion)]]

...o strength(s) of ideological criticism, cultural studies and/or production studies. List two weaknesses of these approaches. '''Answers in boldface are the be *'''Group 1 on production studies:'''

==Mass-comm methods vs. television-studies methods== <td>'''Television Studies'''</td>

File:Stuart-Hall-and-the-Rise-of-Cultural-Studies.jpg|alt=Stuart Hall|Stuart Hall ...o strength(s) of ideological criticism, cultural studies and/or production studies. List two weaknesses of these approaches. '''Answers in boldface are the be

#Jeremy G. Butler, ''Television: Visual Storytelling and Screen Culture'', 5th edition (New York: Routledge, 2018). ...9 March 2007|Richard Dyer and Jeremy Butler, Society for Cinema and Media Studies conference, 9 March 2007.

#Jeremy G. Butler, ''Television: Visual Storytelling and Screen Culture'' (Routledge) ...ll, "The Melodrama Field: An Investigation," ''Home is Where the Heart Is: Studies in Melodrama and Woman's Film'', ed. Christine Gledhill (London: British Fi

...inist film theory was influenced by [[second wave feminism]] and [[women's studies]] in the 1960s and 1970s. Initially in the United States in the early 1970s ...s influenced by the theories of [[Sigmund Freud]] and [[Jacques Lacan]]. ''Visual Pleasure'' is one of the first major essays that helped shift the orientati