TCF340/BordwellThompson/Editing (Discussion) - Revision history

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2019-08-14T21:31:50Z

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Jeremy Butler: /* Bibliography */

2010-09-02T13:58:23Z

Bibliography

Jeremy Butler at 13:57, 2 September 2010

2010-09-02T13:57:07Z

Jeremy Butler: /* Continuity editing */

2010-09-02T13:56:40Z

Continuity editing

Jeremy Butler: /* Bibliography */

2010-09-02T13:52:38Z

Bibliography

Jeremy Butler: /* Continuity editing */

2008-09-04T14:39:43Z

Continuity editing

Jeremy Butler at 14:31, 4 September 2008

2008-09-04T14:31:31Z

Jeremy Butler: created

2008-09-04T14:24:26Z

created

New page

==Continuity editing==
#What is "continuity editing"? In what sense is it "continuous"?
#Where does the 180-degree get its name?
#*What is its purpose? More specifically, what does it "''ensure''", according to Bordwell and Thompson?
#What are each of the following editing conventions?
#*Establishing shot
#*Shot/reverse-shot (sometimes called "shot/counter-shot")
#*Eyeline match
#*Match on action
#*Jump cut

==Scene decoupage==
#''Film Art'''s CD-ROM discusses the editing of a scene from Steven Soderbergh's ''Out of Sight'', featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this [http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm scene decoupage], draw an overhead diagram of the camera positions of all eight shots--similar to the diagram on p. 233. (Draw just ''one'' diagram that shows ''all'' the camera and actor positions.)
#*Does this scene use the editing conventions listed above? Be specific. Hint: be sure to look closely at the first shot. Even Bordwell and Thompson incorrectly describe it on the CD-ROM.

== Bibliography ==
#David Bordwell and Kristin Thompson, ''Film Art: An Introduction'', 8th ed. (New York: McGraw-Hill, 2007).

==External links==
#[http://www.tcf.ua.edu/Classes/Jbutler/T340/ClassicismIllustrations01.htm Classical Hollywood editing examples]
#[http://www.tcf.ua.edu/EO/DV/FilmArt/index02.htm ''Film Art'' examples]
#[http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm ''Out of Sight'' decoupage]

[[Category:TCF340 Discussion]]

@@ Line 17: / Line 17: @@
 == Bibliography ==
-#David Bordwell and Kristin Thompson, ''Film Art: An Introduction'', (New York: McGraw-Hill).
+#David Bordwell and Kristin Thompson, ''Film Art: An Introduction'' (New York: McGraw-Hill).
 ==External links==

@@ Line 4: / Line 4: @@
 #*What is its purpose? More specifically, what does it "''ensure''", according to Bordwell and Thompson?
 #What are each of the following editing conventions?
-#*'''Group 4:''' Establishing shot
+#*'''Group 1:''' Establishing shot
-#*'''Group 1:''' Shot/reverse-shot (sometimes called "shot/counter-shot")
+#*'''Group 2:''' Shot/reverse-shot (sometimes called "shot/counter-shot")
-#*'''Group 2:''' Match cuts:
+#*'''Group 3:''' Match cuts:
 #**Eyeline match
 #**Match on action
-#*'''Group 4:''' Jump cut
+#*'''Group 1:''' Jump cut
 ==Scene decoupage==

@@ Line 1: / Line 1: @@
 ==Continuity editing==
 #'''All Groups:''' What is "continuity editing"?  In what sense is it "continuous"?
-#'''Group 3:''' Where does the 180-degree get its name?
+#'''Group 3:''' Where does the 180-degree rule get its name?
 #*What is its purpose? More specifically, what does it "''ensure''", according to Bordwell and Thompson?
 #What are each of the following editing conventions?

← Older revision	Revision as of 21:31, 14 August 2019
(No difference)

@@ Line 12: / Line 12: @@
 #*'''Group 2:''' Montage
-==Scene decoupage==
+==Scene découpage==
 #''Film Art'''s CD-ROM discusses the editing of a scene from Steven Soderbergh's ''Out of Sight'', featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez).  Using this [http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm scene decoupage], draw an overhead diagram of the camera positions of all eight shots--similar to the diagram on p. 233.  (Draw just ''one'' diagram that shows ''all'' the camera and actor positions.)
 #*Does this scene use the editing conventions listed above? Be specific. Hint: be sure to look closely at the first shot. Even Bordwell and Thompson incorrectly describe it on the CD-ROM.