Lana Turner as Star (Discussion) - Revision history

ScreenAdmin: 24 revisions imported

2019-08-14T21:31:33Z

24 revisions imported

Jeremy Butler: redid groups

2019-04-17T14:46:32Z

redid groups

Jeremy Butler: delete category

2018-04-23T15:04:51Z

delete category

Jeremy Butler at 14:56, 23 April 2018

2018-04-23T14:56:28Z

Jeremy Butler at 14:54, 23 April 2018

2018-04-23T14:54:59Z

Jeremy Butler at 14:54, 23 April 2018

2018-04-23T14:54:24Z

Jeremy Butler: New gallery format!

2018-04-23T14:50:06Z

New gallery format!

Jeremy Butler at 14:39, 23 April 2018

2018-04-23T14:39:00Z

Jeremy Butler at 14:12, 23 April 2018

2018-04-23T14:12:11Z

Jeremy Butler: rearrange group numbers

2017-04-24T14:14:07Z

rearrange group numbers

@@ Line 13: / Line 13: @@
 #*How is it expressed in ''The Bad and the Beautiful''?
 #'''Group 4:''' In general terms, what does ''haute couture'' (pronounce "oht koo-toor") connote? How is this specifically embodied in Turner's image—as Dyer argues regarding the ''Imitation of Life'' scene in which she meets David Edwards (Dan O'Herlihy)?
-#'''Group 5:''' How was Turner’s sexy-ordinary contradiction "crystallized" in four "moments" in her early career?
+#'''Groups 5 and 6:''' How was Turner’s sexy-ordinary contradiction "crystallized" in four "moments" in her early career?
 #'''Group 1:''' What characterizes Turner’s acting style? How is it disrupted by emotions presented as more "authentic" in ''Imitation of Life'' and ''The B & the B''?
 #*How does Dyer make the case for the "hysterics in the car" scene as "authentic"? ([http://www.tcf.ua.edu/EO/DV/BadAndTheBeautiful.php View video clip.])

← Older revision		Revision as of 15:04, 23 April 2018
Line 26:		Line 26:

	[[Category:JCM412/512 Discussion]]		[[Category:JCM412/512 Discussion]]
−	~~[[Category:JCM412/512]]~~

@@ Line 2: / Line 2: @@
 File:LanaAva.JPG|alt=Ava Gardner and Lana Turner "embrace."|Ava Gardner and Lana Turner "embrace."
 File:BadAndBeautiful57 jpg.jpg|alt="Authentic" emotion in ''The Bad and the Beautiful''.|"Authentic" emotion in ''The Bad and the Beautiful''.
-File:LanaIoL.JPG|alt=A production still of Turner wearing ''haute couture'' in ''Imitation of Life''.|A production still of Turner wearing ''haute couture'' in ''Imitation of Life'' — in a scene in which Lora meets David Edwards (Dan O'Herlihy).
+File:LanaIoL.JPG|alt=A production still of Turner wearing ''haute couture'' in ''Imitation of Life''.|Production still of Turner wearing ''haute couture'' in ''Imitation of Life''; Lora meets David Edwards.
 File:IoL1959-01.jpg|alt=Frame grab from ''Imitation of Life''.|Frame grab from the same ''Imitation of Life'' scene.
 </gallery>

@@ Line 1: / Line 1: @@
-<gallery mode="slideshow">
+<gallery mode="packed">
 File:LanaAva.JPG|alt=Ava Gardner and Lana Turner "embrace."|Ava Gardner and Lana Turner "embrace."
 File:BadAndBeautiful57 jpg.jpg|alt="Authentic" emotion in ''The Bad and the Beautiful''.|"Authentic" emotion in ''The Bad and the Beautiful''.

@@ Line 1: / Line 1: @@
-<gallery mode="packed">
+<gallery mode="slideshow">
 File:LanaAva.JPG|alt=Ava Gardner and Lana Turner "embrace."|Ava Gardner and Lana Turner "embrace."
 File:BadAndBeautiful57 jpg.jpg|alt="Authentic" emotion in ''The Bad and the Beautiful''.|"Authentic" emotion in ''The Bad and the Beautiful''.

← Older revision	Revision as of 21:31, 14 August 2019
(No difference)

@@ Line 1: / Line 1: @@
 {{Gallery
 |title=Lana Turner Illustrations
-|lines=5
+|lines=1
 |align=center
-|File:LanaAva.JPG|alt1=Ava Gardner and Lana Turner "embrace".|Ava Gardner and Lana Turner "embrace".
+|File:LanaAva.JPG|alt1=Ava Gardner and Lana Turner "embrace."|Ava Gardner and Lana Turner "embrace."
 |File:BadAndBeautiful57 jpg.jpg|alt2="Authentic" emotion in ''The Bad and the Beautiful''.|"Authentic" emotion in ''The Bad and the Beautiful''.
 |File:LanaIoL.JPG|alt3=A production still of Turner wearing ''haute couture'' in ''Imitation of Life''.|A production still of Turner wearing ''haute couture'' in ''Imitation of Life'' — in a scene in which Lora meets David Edwards (Dan O'Herlihy).

@@ Line 16: / Line 16: @@
 #*How is it expressed in ''The Bad and the Beautiful''?
 #'''Group 4:''' In general terms, what does ''haute couture'' (pronounce "oht koo-toor") connote? How is this specifically embodied in Turner's image—as Dyer argues regarding the ''Imitation of Life'' scene in which she meets David Edwards (Dan O'Herlihy)?
-#'''Group 1:''' How was Turner’s sexy-ordinary contradiction "crystallized" in four "moments" in her early career?
+#'''Group 5:''' How was Turner’s sexy-ordinary contradiction "crystallized" in four "moments" in her early career?
-#'''All Groups:''' What characterizes Turner’s acting style? How is it disrupted by emotions presented as more "authentic" in ''Imitation of Life'' and ''The B & the B''?
+#'''Group 1:''' What characterizes Turner’s acting style? How is it disrupted by emotions presented as more "authentic" in ''Imitation of Life'' and ''The B & the B''?
 #*How does Dyer make the case for the "hysterics in the car" scene as "authentic"? ([http://www.tcf.ua.edu/EO/DV/BadAndTheBeautiful.php View video clip.])
@@ Line 28: / Line 28: @@
 #*[http://www.tcf.ua.edu/Classes/Jbutler/T577/TurnerIllustrations.php#dyer Article illustrations.]
-[[Category:TCF440/540 Discussion]]
+[[Category:JCM412/512 Discussion]]
-[[Category:TCF440-540]]
+[[Category:JCM412/512]]

@@ Line 9: / Line 9: @@
 }}
-#'''Group 4:''' Dyer contends that "Turner illustrates three of the ways that stars function cinematically (that is, within the total signifying practice of the cinema industry situated within society as a whole)".
+#'''Group 2:''' Dyer contends that "Turner illustrates three of the ways that stars function cinematically (that is, within the total signifying practice of the cinema industry situated within society as a whole)".
 #*What does Dyer mean by "signifying practice"?
 #*List those three ways that stars function.
-#'''Group 5:''' What, according to Dyer, is the relationship between glamor and ordinariness?
+#'''Group 3:''' What, according to Dyer, is the relationship between glamour and ordinariness?
 #*How does the photograph of Ava Gardener and Turner "embracing" (see above) illustrate this contrast?
 #*How is it expressed in ''The Bad and the Beautiful''?
-#'''Group 6:''' In general terms, what does ''haute couture'' (pronounce "oht koo-toor") connote? How is this specifically embodied in Turner's image—as Dyer argues regarding the ''Imitation of Life'' scene in which she meets David Edwards (Dan O'Herlihy)?
+#'''Group 4:''' In general terms, what does ''haute couture'' (pronounce "oht koo-toor") connote? How is this specifically embodied in Turner's image—as Dyer argues regarding the ''Imitation of Life'' scene in which she meets David Edwards (Dan O'Herlihy)?
-#'''Group 1 and 2:''' How was Turner’s sexy-ordinary contradiction "crystallized" in four "moments" in her early career?
+#'''Group 1:''' How was Turner’s sexy-ordinary contradiction "crystallized" in four "moments" in her early career?
-#'''Group 3:''' What characterizes Turner’s acting style? How is it disrupted by emotions presented as more "authentic" in ''Imitation of Life'' and ''The B & the B''?
+#'''All Groups:''' What characterizes Turner’s acting style? How is it disrupted by emotions presented as more "authentic" in ''Imitation of Life'' and ''The B & the B''?
 #*How does Dyer make the case for the "hysterics in the car" scene as "authentic"? ([http://www.tcf.ua.edu/EO/DV/BadAndTheBeautiful.php View video clip.])