JCM312/Sound - Revision history

Jeremy Butler: updated

2019-09-04T19:05:24Z

updated

Jeremy Butler at 23:30, 22 August 2019

2019-08-22T23:30:18Z

ScreenAdmin: 17 revisions imported

2019-08-14T21:31:24Z

17 revisions imported

Jeremy Butler: /* External links */

2018-09-06T13:51:23Z

External links

Jeremy Butler at 02:04, 6 September 2018

2018-09-06T02:04:34Z

Jeremy Butler: removed groups

2017-09-07T02:55:25Z

removed groups

Jeremy Butler: Jeremy Butler moved page TCF340/Butler/Sound to JCM312/Sound: Course number change

2017-09-07T02:54:26Z

Jeremy Butler moved page TCF340/Butler/Sound to JCM312/Sound: Course number change

Jeremy Butler: added group 5

2016-09-01T13:25:20Z

added group 5

Jeremy Butler at 00:46, 1 September 2016

2016-09-01T00:46:42Z

Jeremy Butler: /* External links */ fixed link

2016-09-01T00:44:56Z

External links: fixed link

@@ Line 9: / Line 9: @@
 '''Sound and time'''
 #The time frame of a narrative scene's sound need not match the time frame of its image.
-#*How is time manipulated in these [http://tvcrit.com/find/damages ''Damages''] and [https://tcf.ua.edu/EO/DV/Traffic.php ''Traffic''] scenes?
+#*How is time manipulated in these [http://tvcrit.com/find/damages ''Damages''] and [https://vimeo.com/345041314 ''Traffic''] scenes?
 '''Diegetic and nondiegetic sound'''
@@ Line 25: / Line 25: @@
 ==External links==
-*[http://www.routledgetextbooks.com/textbooks/9781138743960/image-gallery.php ''Television'', sound chapter illustrations]
+*[https://tvcrit.org/Classes/Jbutler/TVCrit2018_images_ByChapters/11/ ''Television'', sound chapter illustrations]
-*[http://www.tcf.ua.edu/EO/DV/Dodge1957/ Dodge commercial] or [http://criticalcommons.org/Members/jbutler/clips/dodge1957commercial_originalaudio.mp4/view Critical Commons version]
+*[https://vimeo.com/345098436 Dodge commercial] or [http://criticalcommons.org/Members/jbutler/clips/dodge1957commercial_originalaudio.mp4/view Critical Commons version]
 *[http://tvcrit.com/find/damages ''Damages'' sound-time manipulation]
-*[http://www.tcf.ua.edu/Classes/Jbutler/T340/ClassicismIllustrations01.htm Classical Hollywood sound examples]
+*[https://tvcrit.org/Classes/Jbutler/T340/ClassicismIllustrations01.htm Classical Hollywood sound examples]
-*[http://www.tcf.ua.edu/EO/DV/FilmArt/index02.htm ''Film Art'' examples]
+*[https://tvcrit.org/EO/DV/FilmArt/index02.htm ''Film Art'' examples]
-**[https://tcf.ua.edu/EO/DV/Traffic.php ''Traffic'' example]
+**[https://vimeo.com/345041314 ''Traffic'' example]
-**[http://www.tcf.ua.edu/EO/DV/ManEscaped.htm ''A Man Escaped'' example]
+**[https://tvcrit.org/EO/DV/ManEscaped.htm ''A Man Escaped'' example]
 == Bibliography ==

@@ Line 3: / Line 3: @@
 #*[http://tvcrit.com/find/uglybetty ''Ugly Betty'' example of sound perspective mismatch.]
 #What are the different types of microphone pick-up patterns? How do they affect sound perspective? E.g., how would you describe the likely sound perspective of the ''Mad Men'' scene below?
-[[File:Mad-Men-January-on-set l.jpg]]
+<gallery mode="packed" heights=200px>
 '''Sound and time'''

@@ Line 23: / Line 23: @@
 ==External links==
-*[http://www.routledge.com/cw/butler-9780415883283/s1/gallery-10/ Sound chapter illustrations]
+*[http://www.routledgetextbooks.com/textbooks/9781138743960/image-gallery.php ''Television'', sound chapter illustrations]
 *[http://www.tcf.ua.edu/EO/DV/Dodge1957/ Dodge commercial] or [http://criticalcommons.org/Members/jbutler/clips/dodge1957commercial_originalaudio.mp4/view Critical Commons version]
 *[http://tvcrit.com/find/damages ''Damages'' sound-time manipulation]

@@ Line 32: / Line 32: @@
 == Bibliography ==
-#Jeremy G. Butler, ''Television: Critical Methods and Applications'' (New York: Routledge, 2012).
+#Jeremy G. Butler, ''Television: Visual Storytelling and Screen Culture'' (New York: Routledge, 2018).
 #David Bordwell and Kristin Thompson, ''Film Art: An Introduction'', (New York: McGraw-Hill).
 [[Category:JCM312 Discussion]]

@@ Line 1: / Line 1: @@
-'''Groups 1 & 5: Sound perspective'''
+'''Sound perspective'''
 #What is ''sound perspective'' in film?
 #*[http://tvcrit.com/find/uglybetty ''Ugly Betty'' example of sound perspective mismatch.]
@@ Line 5: / Line 5: @@
 [[File:Mad-Men-January-on-set l.jpg]]
 '''Sound and time'''
 #The time frame of a narrative scene's sound need not match the time frame of its image.
 #*How is time manipulated in these [http://tvcrit.com/find/damages ''Damages''] and [https://tcf.ua.edu/EO/DV/Traffic.php ''Traffic''] scenes?
-'''Group 3: Diegetic and nondiegetic sound'''
+'''Diegetic and nondiegetic sound'''
 #What is a ''diegesis''?
 #*What is diegetic sound? Nondiegetic sound? Examples?
-'''Group 4: Sound technology'''
+'''Sound technology'''
 #What are the three main types of sound in film and TV production and how do digital audio workstations mirror those three types? ([http://tvcrit.com/find/protools See ''Ugly Betty'' ProTools layout for music editor.])
 #Explain these terms in the context of digital audio: sampling, dynamic range, and frequency response.
@@ Line 36: / Line 35: @@
 #David Bordwell and Kristin Thompson, ''Film Art: An Introduction'', (New York: McGraw-Hill).
-[[Category:TCF340 Discussion]]
+[[Category:JCM312 Discussion]]

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