https://screenpedia.org/index.php?action=history&feed=atom&title=JCM312%2FGodard_Since_1968_%28Discussion%29 2026-04-11T02:15:30Z Revision history for this page on the wiki MediaWiki 1.35.3 https://screenpedia.org/index.php?title=JCM312/Godard_Since_1968_(Discussion)&diff=3498&oldid=prev 2019-12-03T17:09:29Z

<p>Undo revision 3493 by <a href="/index.php/Special:Contributions/Jeremy_Butler" title="Special:Contributions/Jeremy Butler">Jeremy Butler</a> (<a href="/index.php/User_talk:Jeremy_Butler" title="User talk:Jeremy Butler">talk</a>)</p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:09, 3 December 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Constance Penley on ''France/tour/détour/deux/enfants'''''</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Constance Penley on ''France/tour/détour/deux/enfants'''''</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Discussion <del class="diffchange diffchange-inline">prompts</del>.</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">#'''Group 1:''' Penley argues, &quot;Both the writing on the image and the different voices over it question the image rather than anchoring its meaning as is usual in television.&quot; Explain how and compare the text-over-image in ''F/t/d/d/e'' with graphics in conventional television, such as ''The Dick Cavett Show''.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">#'''Group 2:''' Penley argues that Godard's use of silence in his video work is different from conventional television. Explain how and compare the use of silence in ''F/t/d/d/e'' with its use (or lack) in ''The Dick Cavett Show''.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">#'''Group 3:''' Penley argues that Godard's use of interviews is different from conventional television. Explain how and compare the interview in ''F/t/d/d/e'' with the interview in ''The Dick Cavett Show''.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">#'''Groups 4 and 5:''' Penley contends that Sonimage's (Godard and Miéville's production company) analysis of representation &quot;does not extend to questioning certain received metaphorizations of the woman's body: woman as state, as machine of reproduction, as sexuality itself.&quot; That is, Sonimage is using the woman's body as a metaphor for sexuality and reproduction. We've [[TCF340/Godard and Contemporary Feminism (</ins>Discussion<ins class="diffchange diffchange-inline">)|discussed Godard's use of the nude female body before]] -- in ''Vivre sa vie'' and [https://tvcrit.org/Classes/Jbutler/T340/BritishSounds.php ''British Sounds'']. How would you compare/contrast the nude pregnant woman in ''F/t/d/d/e'' with the nude women in ''Vivre sa vie''? Does he &quot;formally subvert&quot; the inherent exploitation of female nudity? ([https://tvcrit.org/Classes/Jbutler/T340/france/index.html See screenshots</ins>.<ins class="diffchange diffchange-inline">])</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td></tr> </table>

Jeremy Butler https://screenpedia.org/index.php?title=JCM312/Godard_Since_1968_(Discussion)&diff=3493&oldid=prev 2019-12-02T16:59:48Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:59, 2 December 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Constance Penley on ''France/tour/détour/deux/enfants'''''</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Constance Penley on ''France/tour/détour/deux/enfants'''''</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">#'''Group 1:''' Penley argues, &quot;Both the writing on the image and the different voices over it question the image rather than anchoring its meaning as is usual in television.&quot; Explain how and compare the text-over-image in ''F/t/d/d/e'' with graphics in conventional television, such as ''The Dick Cavett Show''.</del></div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Discussion <ins class="diffchange diffchange-inline">prompts</ins>.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">#'''Group 2:''' Penley argues that Godard's use of silence in his video work is different from conventional television. Explain how and compare the use of silence in ''F/t/d/d/e'' with its use (or lack) in ''The Dick Cavett Show''.</del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">#'''Group 3:''' Penley argues that Godard's use of interviews is different from conventional television. Explain how and compare the interview in ''F/t/d/d/e'' with the interview in ''The Dick Cavett Show''.</del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">#'''Groups 4 and 5:''' Penley contends that Sonimage's (Godard and Miéville's production company) analysis of representation &quot;does not extend to questioning certain received metaphorizations of the woman's body: woman as state, as machine of reproduction, as sexuality itself.&quot; That is, Sonimage is using the woman's body as a metaphor for sexuality and reproduction. We've [[TCF340/Godard and Contemporary Feminism (</del>Discussion<del class="diffchange diffchange-inline">)|discussed Godard's use of the nude female body before]] -- in ''Vivre sa vie'' and [https://tvcrit.org/Classes/Jbutler/T340/BritishSounds.php ''British Sounds'']. How would you compare/contrast the nude pregnant woman in ''F/t/d/d/e'' with the nude women in ''Vivre sa vie''? Does he &quot;formally subvert&quot; the inherent exploitation of female nudity? ([https://tvcrit.org/Classes/Jbutler/T340/france/index.html See screenshots</del>.<del class="diffchange diffchange-inline">])</del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td></tr> </table>

Jeremy Butler https://screenpedia.org/index.php?title=JCM312/Godard_Since_1968_(Discussion)&diff=3492&oldid=prev 2019-12-02T16:59:19Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:59, 2 December 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4" >Line 4:</td> <td colspan="2" class="diff-lineno">Line 4:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 2:''' Penley argues that Godard's use of silence in his video work is different from conventional television. Explain how and compare the use of silence in ''F/t/d/d/e'' with its use (or lack) in ''The Dick Cavett Show''.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 2:''' Penley argues that Godard's use of silence in his video work is different from conventional television. Explain how and compare the use of silence in ''F/t/d/d/e'' with its use (or lack) in ''The Dick Cavett Show''.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 3:''' Penley argues that Godard's use of interviews is different from conventional television. Explain how and compare the interview in ''F/t/d/d/e'' with the interview in ''The Dick Cavett Show''.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 3:''' Penley argues that Godard's use of interviews is different from conventional television. Explain how and compare the interview in ''F/t/d/d/e'' with the interview in ''The Dick Cavett Show''.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>#'''<del class="diffchange diffchange-inline">Group </del>4:''' Penley contends that Sonimage's (Godard and Miéville's production company) analysis of representation &quot;does not extend to questioning certain received metaphorizations of the woman's body: woman as state, as machine of reproduction, as sexuality itself.&quot; That is, Sonimage is using the woman's body as a metaphor for sexuality and reproduction. We've [[TCF340/Godard and Contemporary Feminism (Discussion)|discussed Godard's use of the nude female body before]] -- in ''Vivre sa vie'' and [https://tvcrit.org/Classes/Jbutler/T340/BritishSounds.php ''British Sounds'']. How would you compare/contrast the nude pregnant woman in ''F/t/d/d/e'' with the nude women in ''Vivre sa vie''? Does he &quot;formally subvert&quot; the inherent exploitation of female nudity? ([https://tvcrit.org/Classes/Jbutler/T340/france/index.html See screenshots.])</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>#'''<ins class="diffchange diffchange-inline">Groups </ins>4 <ins class="diffchange diffchange-inline">and 5</ins>:''' Penley contends that Sonimage's (Godard and Miéville's production company) analysis of representation &quot;does not extend to questioning certain received metaphorizations of the woman's body: woman as state, as machine of reproduction, as sexuality itself.&quot; That is, Sonimage is using the woman's body as a metaphor for sexuality and reproduction. We've [[TCF340/Godard and Contemporary Feminism (Discussion)|discussed Godard's use of the nude female body before]] -- in ''Vivre sa vie'' and [https://tvcrit.org/Classes/Jbutler/T340/BritishSounds.php ''British Sounds'']. How would you compare/contrast the nude pregnant woman in ''F/t/d/d/e'' with the nude women in ''Vivre sa vie''? Does he &quot;formally subvert&quot; the inherent exploitation of female nudity? ([https://tvcrit.org/Classes/Jbutler/T340/france/index.html See screenshots.])</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td></tr> </table>

Jeremy Butler https://screenpedia.org/index.php?title=JCM312/Godard_Since_1968_(Discussion)&diff=3491&oldid=prev 2019-12-02T16:57:44Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:57, 2 December 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4" >Line 4:</td> <td colspan="2" class="diff-lineno">Line 4:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 2:''' Penley argues that Godard's use of silence in his video work is different from conventional television. Explain how and compare the use of silence in ''F/t/d/d/e'' with its use (or lack) in ''The Dick Cavett Show''.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 2:''' Penley argues that Godard's use of silence in his video work is different from conventional television. Explain how and compare the use of silence in ''F/t/d/d/e'' with its use (or lack) in ''The Dick Cavett Show''.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 3:''' Penley argues that Godard's use of interviews is different from conventional television. Explain how and compare the interview in ''F/t/d/d/e'' with the interview in ''The Dick Cavett Show''.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 3:''' Penley argues that Godard's use of interviews is different from conventional television. Explain how and compare the interview in ''F/t/d/d/e'' with the interview in ''The Dick Cavett Show''.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 4:''' Penley contends that Sonimage's (Godard and Miéville's production company) analysis of representation &quot;does not extend to questioning certain received metaphorizations of the woman's body: woman as state, as machine of reproduction, as sexuality itself.&quot; That is, Sonimage is using the woman's body as a metaphor for sexuality and reproduction. We've [[TCF340/Godard and Contemporary Feminism (Discussion)|discussed Godard's use of the nude female body before]] -- in ''Vivre sa vie'' and [https://tvcrit.org/Classes/Jbutler/T340/BritishSounds.<del class="diffchange diffchange-inline">htm </del>''British Sounds'']. How would you compare/contrast the nude pregnant woman in ''F/t/d/d/e'' with the nude women in ''Vivre sa vie''? Does he &quot;formally subvert&quot; the inherent exploitation of female nudity? ([https://tvcrit.org/Classes/Jbutler/T340/france/index.html See screenshots.])</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 4:''' Penley contends that Sonimage's (Godard and Miéville's production company) analysis of representation &quot;does not extend to questioning certain received metaphorizations of the woman's body: woman as state, as machine of reproduction, as sexuality itself.&quot; That is, Sonimage is using the woman's body as a metaphor for sexuality and reproduction. We've [[TCF340/Godard and Contemporary Feminism (Discussion)|discussed Godard's use of the nude female body before]] -- in ''Vivre sa vie'' and [https://tvcrit.org/Classes/Jbutler/T340/BritishSounds.<ins class="diffchange diffchange-inline">php </ins>''British Sounds'']. How would you compare/contrast the nude pregnant woman in ''F/t/d/d/e'' with the nude women in ''Vivre sa vie''? Does he &quot;formally subvert&quot; the inherent exploitation of female nudity? ([https://tvcrit.org/Classes/Jbutler/T340/france/index.html See screenshots.])</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td></tr> </table>

Jeremy Butler https://screenpedia.org/index.php?title=JCM312/Godard_Since_1968_(Discussion)&diff=3490&oldid=prev 2019-12-02T16:56:52Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:56, 2 December 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4" >Line 4:</td> <td colspan="2" class="diff-lineno">Line 4:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 2:''' Penley argues that Godard's use of silence in his video work is different from conventional television. Explain how and compare the use of silence in ''F/t/d/d/e'' with its use (or lack) in ''The Dick Cavett Show''.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 2:''' Penley argues that Godard's use of silence in his video work is different from conventional television. Explain how and compare the use of silence in ''F/t/d/d/e'' with its use (or lack) in ''The Dick Cavett Show''.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 3:''' Penley argues that Godard's use of interviews is different from conventional television. Explain how and compare the interview in ''F/t/d/d/e'' with the interview in ''The Dick Cavett Show''.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 3:''' Penley argues that Godard's use of interviews is different from conventional television. Explain how and compare the interview in ''F/t/d/d/e'' with the interview in ''The Dick Cavett Show''.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 4:''' Penley contends that Sonimage's (Godard and Miéville's production company) analysis of representation &quot;does not extend to questioning certain received metaphorizations of the woman's body: woman as state, as machine of reproduction, as sexuality itself.&quot; That is, Sonimage is using the woman's body as a metaphor for sexuality and reproduction. We've [[TCF340/Godard and Contemporary Feminism (Discussion)|discussed Godard's use of the nude female body before]] -- in ''Vivre sa vie'' and [<del class="diffchange diffchange-inline">http</del>://<del class="diffchange diffchange-inline">www</del>.<del class="diffchange diffchange-inline">tcf.ua.edu</del>/Classes/Jbutler/T340/BritishSounds.htm ''British Sounds'']. How would you compare/contrast the nude pregnant woman in ''F/t/d/d/e'' with the nude women in ''Vivre sa vie''? Does he &quot;formally subvert&quot; the inherent exploitation of female nudity? ([https://tvcrit.org/Classes/Jbutler/T340/france/index.html See screenshots.])</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 4:''' Penley contends that Sonimage's (Godard and Miéville's production company) analysis of representation &quot;does not extend to questioning certain received metaphorizations of the woman's body: woman as state, as machine of reproduction, as sexuality itself.&quot; That is, Sonimage is using the woman's body as a metaphor for sexuality and reproduction. We've [[TCF340/Godard and Contemporary Feminism (Discussion)|discussed Godard's use of the nude female body before]] -- in ''Vivre sa vie'' and [<ins class="diffchange diffchange-inline">https</ins>://<ins class="diffchange diffchange-inline">tvcrit</ins>.<ins class="diffchange diffchange-inline">org</ins>/Classes/Jbutler/T340/BritishSounds.htm ''British Sounds'']. How would you compare/contrast the nude pregnant woman in ''F/t/d/d/e'' with the nude women in ''Vivre sa vie''? Does he &quot;formally subvert&quot; the inherent exploitation of female nudity? ([https://tvcrit.org/Classes/Jbutler/T340/france/index.html See screenshots.])</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td></tr> </table>

Jeremy Butler https://screenpedia.org/index.php?title=JCM312/Godard_Since_1968_(Discussion)&diff=3489&oldid=prev 2019-12-02T16:56:26Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:56, 2 December 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4" >Line 4:</td> <td colspan="2" class="diff-lineno">Line 4:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 2:''' Penley argues that Godard's use of silence in his video work is different from conventional television. Explain how and compare the use of silence in ''F/t/d/d/e'' with its use (or lack) in ''The Dick Cavett Show''.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 2:''' Penley argues that Godard's use of silence in his video work is different from conventional television. Explain how and compare the use of silence in ''F/t/d/d/e'' with its use (or lack) in ''The Dick Cavett Show''.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 3:''' Penley argues that Godard's use of interviews is different from conventional television. Explain how and compare the interview in ''F/t/d/d/e'' with the interview in ''The Dick Cavett Show''.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 3:''' Penley argues that Godard's use of interviews is different from conventional television. Explain how and compare the interview in ''F/t/d/d/e'' with the interview in ''The Dick Cavett Show''.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 4:''' Penley contends that Sonimage's (Godard and Miéville's production company) analysis of representation &quot;does not extend to questioning certain received metaphorizations of the woman's body: woman as state, as machine of reproduction, as sexuality itself.&quot; That is, Sonimage is using the woman's body as a metaphor for sexuality and reproduction. We've [[TCF340/Godard and Contemporary Feminism (Discussion)|discussed Godard's use of the nude female body before]] -- in ''Vivre sa vie'' and [http://www.tcf.ua.edu/Classes/Jbutler/T340/BritishSounds.htm ''British Sounds'']. How would you compare/contrast the nude pregnant woman in ''F/t/d/d/e'' with the nude women in ''Vivre sa vie''? Does he &quot;formally subvert&quot; the inherent exploitation of female nudity? ([<del class="diffchange diffchange-inline">http</del>://<del class="diffchange diffchange-inline">www</del>.<del class="diffchange diffchange-inline">tcf.ua.edu</del>/Classes/Jbutler/T340/france/index.html See screenshots.])</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>#'''Group 4:''' Penley contends that Sonimage's (Godard and Miéville's production company) analysis of representation &quot;does not extend to questioning certain received metaphorizations of the woman's body: woman as state, as machine of reproduction, as sexuality itself.&quot; That is, Sonimage is using the woman's body as a metaphor for sexuality and reproduction. We've [[TCF340/Godard and Contemporary Feminism (Discussion)|discussed Godard's use of the nude female body before]] -- in ''Vivre sa vie'' and [http://www.tcf.ua.edu/Classes/Jbutler/T340/BritishSounds.htm ''British Sounds'']. How would you compare/contrast the nude pregnant woman in ''F/t/d/d/e'' with the nude women in ''Vivre sa vie''? Does he &quot;formally subvert&quot; the inherent exploitation of female nudity? ([<ins class="diffchange diffchange-inline">https</ins>://<ins class="diffchange diffchange-inline">tvcrit</ins>.<ins class="diffchange diffchange-inline">org</ins>/Classes/Jbutler/T340/france/index.html See screenshots.])</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography==</div></td></tr> </table>

Jeremy Butler https://screenpedia.org/index.php?title=JCM312/Godard_Since_1968_(Discussion)&diff=3485&oldid=prev 2019-11-21T19:44:21Z

<p><span dir="auto"><span class="autocomment">External links</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:44, 21 November 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l14" >Line 14:</td> <td colspan="2" class="diff-lineno">Line 14:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Jbutler/T340/france/index.html ''France/tour/détour/deux/enfants'' frame captures]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Jbutler/T340/france/index.html ''France/tour/détour/deux/enfants'' frame captures]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Classes/Jbutler/T340/LetterToJane.php#softandhard ''Soft and Hard'' frame grabs]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Classes/Jbutler/T340/LetterToJane.php#softandhard ''Soft and Hard'' frame grabs]</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[<del class="diffchange diffchange-inline">http</del>://<del class="diffchange diffchange-inline">www</del>.<del class="diffchange diffchange-inline">tcf.ua.edu</del>/<del class="diffchange diffchange-inline">EO/DV/SoftAndHard.php </del>Video clip of the last shot of ''Soft and Hard'']</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[<ins class="diffchange diffchange-inline">https</ins>://<ins class="diffchange diffchange-inline">vimeo</ins>.<ins class="diffchange diffchange-inline">com</ins>/<ins class="diffchange diffchange-inline">345061572 </ins>Video clip of the last shot of ''Soft and Hard'']</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Jbutler/T340/SoftAndHard_LastShot/index.htm Frame grabs from the last shot of ''Soft and Hard'']</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Jbutler/T340/SoftAndHard_LastShot/index.htm Frame grabs from the last shot of ''Soft and Hard'']</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Jbutler/T340/Contempt/index.htm Frame grabs from first shot of Godard's ''Contempt'']</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Jbutler/T340/Contempt/index.htm Frame grabs from first shot of Godard's ''Contempt'']</div></td></tr> </table>

Jeremy Butler https://screenpedia.org/index.php?title=JCM312/Godard_Since_1968_(Discussion)&diff=3484&oldid=prev 2019-11-21T19:41:25Z

<p><span dir="auto"><span class="autocomment">External links</span></span></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 19:41, 21 November 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l15" >Line 15:</td> <td colspan="2" class="diff-lineno">Line 15:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Classes/Jbutler/T340/LetterToJane.php#softandhard ''Soft and Hard'' frame grabs]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Classes/Jbutler/T340/LetterToJane.php#softandhard ''Soft and Hard'' frame grabs]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[http://www.tcf.ua.edu/EO/DV/SoftAndHard.php Video clip of the last shot of ''Soft and Hard'']</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[http://www.tcf.ua.edu/EO/DV/SoftAndHard.php Video clip of the last shot of ''Soft and Hard'']</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org<del class="diffchange diffchange-inline">/Classes</del>/Classes/Jbutler/T340/SoftAndHard_LastShot/index.htm Frame grabs from the last shot of ''Soft and Hard'']</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Jbutler/T340/SoftAndHard_LastShot/index.htm Frame grabs from the last shot of ''Soft and Hard'']</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org<del class="diffchange diffchange-inline">/Classes</del>/Classes/Jbutler/T340/Contempt/index.htm Frame grabs from first shot of Godard's ''Contempt'']</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Jbutler/T340/Contempt/index.htm Frame grabs from first shot of Godard's ''Contempt'']</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org<del class="diffchange diffchange-inline">/Classes</del>/Classes/Jbutler/T577/Godard_Criticism_Brecht.php Godard and Brecht: Godard's Criticism, ''Vivre sa Vie'' &amp; ''Breathless'']</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Jbutler/T577/Godard_Criticism_Brecht.php Godard and Brecht: Godard's Criticism, ''Vivre sa Vie'' &amp; ''Breathless'']</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:JCM312 Discussion]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:JCM312 Discussion]]</div></td></tr> </table>

Jeremy Butler https://screenpedia.org/index.php?title=JCM312/Godard_Since_1968_(Discussion)&diff=3483&oldid=prev 2019-11-21T16:45:28Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:45, 21 November 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13" >Line 13:</td> <td colspan="2" class="diff-lineno">Line 13:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://vimeo.com/347836977 ''France/tour/détour/deux/enfants'' video]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://vimeo.com/347836977 ''France/tour/détour/deux/enfants'' video]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Jbutler/T340/france/index.html ''France/tour/détour/deux/enfants'' frame captures]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tvcrit.org/Classes/Jbutler/T340/france/index.html ''France/tour/détour/deux/enfants'' frame captures]</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[https://<del class="diffchange diffchange-inline">tcf</del>.<del class="diffchange diffchange-inline">ua.edu</del>/Classes/Jbutler/T340/LetterToJane.php#softandhard ''Soft and Hard'' frame grabs]</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[https://<ins class="diffchange diffchange-inline">tvcrit</ins>.<ins class="diffchange diffchange-inline">org/Classes</ins>/Classes/Jbutler/T340/LetterToJane.php#softandhard ''Soft and Hard'' frame grabs]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[http://www.tcf.ua.edu/EO/DV/SoftAndHard.php Video clip of the last shot of ''Soft and Hard'']</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[http://www.tcf.ua.edu/EO/DV/SoftAndHard.php Video clip of the last shot of ''Soft and Hard'']</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[<del class="diffchange diffchange-inline">http</del>://<del class="diffchange diffchange-inline">www</del>.<del class="diffchange diffchange-inline">tcf.ua.edu</del>/Classes/Jbutler/T340/SoftAndHard_LastShot/index.htm Frame grabs from the last shot of ''Soft and Hard'']</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[<ins class="diffchange diffchange-inline">https</ins>://<ins class="diffchange diffchange-inline">tvcrit</ins>.<ins class="diffchange diffchange-inline">org/Classes</ins>/Classes/Jbutler/T340/SoftAndHard_LastShot/index.htm Frame grabs from the last shot of ''Soft and Hard'']</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[<del class="diffchange diffchange-inline">http</del>://<del class="diffchange diffchange-inline">www</del>.<del class="diffchange diffchange-inline">tcf.ua.edu</del>/Classes/Jbutler/T340/Contempt/index.htm Frame grabs from first shot of Godard's ''Contempt'']</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[<ins class="diffchange diffchange-inline">https</ins>://<ins class="diffchange diffchange-inline">tvcrit</ins>.<ins class="diffchange diffchange-inline">org/Classes</ins>/Classes/Jbutler/T340/Contempt/index.htm Frame grabs from first shot of Godard's ''Contempt'']</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[<del class="diffchange diffchange-inline">http</del>://<del class="diffchange diffchange-inline">www</del>.<del class="diffchange diffchange-inline">tcf.ua.edu</del>/Classes/Jbutler/T577/Godard_Criticism_Brecht.php Godard and Brecht: Godard's Criticism, ''Vivre sa Vie'' &amp; ''Breathless'']</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[<ins class="diffchange diffchange-inline">https</ins>://<ins class="diffchange diffchange-inline">tvcrit</ins>.<ins class="diffchange diffchange-inline">org/Classes</ins>/Classes/Jbutler/T577/Godard_Criticism_Brecht.php Godard and Brecht: Godard's Criticism, ''Vivre sa Vie'' &amp; ''Breathless'']</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:JCM312 Discussion]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:JCM312 Discussion]]</div></td></tr> </table>

Jeremy Butler https://screenpedia.org/index.php?title=JCM312/Godard_Since_1968_(Discussion)&diff=3482&oldid=prev 2019-11-21T16:44:20Z

<p></p> <table class="diff diff-contentalign-left diff-editfont-monospace" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:44, 21 November 2019</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l11" >Line 11:</td> <td colspan="2" class="diff-lineno">Line 11:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==External links==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==External links==</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[<del class="diffchange diffchange-inline">http</del>://<del class="diffchange diffchange-inline">www</del>.<del class="diffchange diffchange-inline">tcf.ua.edu/EO/DV</del>/<del class="diffchange diffchange-inline">France-Tour.php </del>''France/tour/détour/deux/enfants'' video]</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[<ins class="diffchange diffchange-inline">https</ins>://<ins class="diffchange diffchange-inline">vimeo</ins>.<ins class="diffchange diffchange-inline">com</ins>/<ins class="diffchange diffchange-inline">347836977 </ins>''France/tour/détour/deux/enfants'' video]</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[<del class="diffchange diffchange-inline">http</del>://<del class="diffchange diffchange-inline">www.tcf.ua</del>.<del class="diffchange diffchange-inline">edu</del>/Classes/Jbutler/T340/france/index.html ''France/tour/détour/deux/enfants'' frame captures]</div></td><td class='diff-marker'>+</td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[<ins class="diffchange diffchange-inline">https</ins>://<ins class="diffchange diffchange-inline">tvcrit</ins>.<ins class="diffchange diffchange-inline">org</ins>/Classes/Jbutler/T340/france/index.html ''France/tour/détour/deux/enfants'' frame captures]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tcf.ua.edu/Classes/Jbutler/T340/LetterToJane.php#softandhard ''Soft and Hard'' frame grabs]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[https://tcf.ua.edu/Classes/Jbutler/T340/LetterToJane.php#softandhard ''Soft and Hard'' frame grabs]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[http://www.tcf.ua.edu/EO/DV/SoftAndHard.php Video clip of the last shot of ''Soft and Hard'']</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[http://www.tcf.ua.edu/EO/DV/SoftAndHard.php Video clip of the last shot of ''Soft and Hard'']</div></td></tr> </table>

Jeremy Butler