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  1. APA style
  2. A (mostly) verbal analysis
  3. A History of TV Style (Discussion)
  4. A comic piece
  5. Animation (Discussion)
  6. BUI301F2022/Comedy and Identity Discussion
  7. BUI301F2022/Humor Theory
  8. BUI301F2022/Narrative Structure
  9. BUI301F2022/TV Comedy: Multicamera
  10. BUI301F2022/TV Comedy: Single Camera
  11. BUI301F2022/Verbal Humor
  12. Beyond and Beside Narrative (Discussion)
  13. BordwellThompson/Classical Style (Discussion)
  14. BordwellThompson/Editing (Discussion)
  15. BordwellThompson/Narrative Form (Discussion)
  16. BordwellThompson/Sound (Discussion)
  17. Building Narrative (Discussion)
  18. Concept of Authorship (Discussion)
  19. Concept of Genre (Discussion)
  20. Concept of Genre (Lecture)
  21. Concept of Star (Discussion)
  22. Cultural Studies, Ethnography (Discussion)
  23. Day Dreams
  24. Discourse & Identity III (Discussion)
  25. Discourse & Identity I & II (Discussion)
  26. Domestic Melodrama Since World War II (Discussion)
  27. Domestic Melodrama as Genre (2010 Discussion)
  28. Domestic Melodrama as Genre (Discussion)
  29. Douglas Sirk as Auteur (Discussion)
  30. Editing: Multiple Camera Mode (Discussion)
  31. Editing: Single Camera Mode (Discussion)
  32. Editing (Discussion)
  33. Fair use
  34. Feminist Criticism (Discussion)
  35. Feminist Criticism II (Discussion)
  36. Film Noir as Genre (Discussion)
  37. Film Noir as Genre (Lecture)
  38. Genre Study (Discussion)
  39. Hard Luck
  40. Hard Luck by Ava
  41. Hard Luck by Daisy
  42. History of TV editing
  43. History of color TV
  44. History of the remote control
  45. How to configure VLC for screenshots
  46. Howard Hawks as Auteur (Discussion)
  47. Humphrey Bogart as Star (Discussion)
  48. I Love Lucy
  49. Ideological Criticism, Cultural Studies (Discussion)
  50. Ideological Criticism (Discussion)
  51. Ideological Criticism (Discussion)/Chat transcript
  52. Infobox
  53. JCM212/Editing and sound analysis
  54. JCM212/Final Exam Review
  55. JCM212/Narrative Analysis
  56. JCM212/Outline a book
  57. JCM212/Outline a journal article
  58. JCM212/Stylistic Analysis
  59. JCM212/Stylistic Analysis/Alternative assignment
  60. JCM212/mise-en-scene and cinematographic analysis
  61. JCM312/Analytical Exercise (Discussion)
  62. JCM312/Bazinian Realism (Discussion)
  63. JCM312/Cinematography
  64. JCM312/Editing
  65. JCM312/French Cinema Between the Wars I: Popular Front (Discussion)
  66. JCM312/French Feminism, Continued: Agnès Varda (Lecture)
  67. JCM312/French Modernism: Jean-Luc Godard & Bertolt Brecht (Discussion)
  68. JCM312/French New Wave I: Alain Resnais (Discussion)
  69. JCM312/French New Wave II: François Truffaut (Discussion)
  70. JCM312/French New Wave III: Éric Rohmer (Discussion)
  71. JCM312/Godard and Contemporary Feminism (Discussion)
  72. JCM312/Mise-en-scene
  73. JCM312/Narrative Structure
  74. JCM312/Sound
  75. JCM312/The Avant-Garde (Discussion)
  76. JCM412512/Analytical Exercise (Discussion)
  77. JCM412512/Cinematography (Discussion)
  78. JCM412512/Editing (Discussion)
  79. JCM412512/Mise-en-scene (Discussion)
  80. JCM412512/Narrative Form (Discussion)
  81. JCM412512/Sound (Discussion)
  82. Lana Turner as Star (Discussion)
  83. Lecture/discussion notes
  84. Link to something in Screenpedia
  85. MHRA Style Guide
  86. Melodrama Variations: TV Soap Opera (Discussion)
  87. Mise-en-Scene (Discussion)
  88. Music Television (Discussion)
  89. My Wife's Relations
  90. Narrative Structure (Discussion)
  91. Noir & Sexuality (Discussion)
  92. Postmodernism (Discussion)
  93. Production Studies (Discussion)
  94. Semiotics (Discussion)
  95. Sound (Discussion)
  96. Study guide instructions
  97. Style and the Camera (Discussion)
  98. TCF112/Auteur Theory
  99. TCF112/Bazinian Realism
  100. TCF112/Classical Hollywood Cinema
  101. TCF112/Documentary Form
  102. TCF112/Early Cinema
  103. TCF112/Feminism and Film
  104. TCF112/French New Wave
  105. TCF112/German Silent Film
  106. TCF112/Italian Neorealism
  107. TCF112/New German Cinema
  108. TCF112/Russian Formalism
  109. TCF112/Silent Film Comedy
  110. TCF112/The Breakdown of Hollywood Classicism
  111. TCF112/The Evolution of Narrative Film
  112. TCF340/Analytical Exercise (Discussion)
  113. TCF340/BordwellThompson/Cinematography (Discussion)
  114. TCF340/BordwellThompson/Classical Style (Discussion)
  115. TCF340/BordwellThompson/Editing (Discussion)
  116. TCF340/BordwellThompson/Mise-en-scene (Discussion)
  117. TCF340/BordwellThompson/Narrative Form (Discussion)
  118. TCF340/BordwellThompson/Sound (Discussion)
  119. TCF340/Cinema Ascetic: Robert Bresson (Discussion)
  120. TCF340/Godard Since 1968 and Claire Denis (Discussion)
  121. TCF440540/BordwellThompson/Cinematography (Discussion)
  122. TCF440540/BordwellThompson/Mise-en-scene (Discussion)
  123. TCF 112 Motion Picture History and Criticism
  124. TCF 311 Exam 3
  125. TV Structure (Discussion)
  126. Telecommunication and Film Department
  127. Television Studies: An Overview (Discussion)
  128. The Chicago Manual of Style
  129. The Commercial (Discussion)
  130. The Electric House
  131. The Frozen North
  132. The High Sign
  133. The High Sign by Josh
  134. The High Sign by Kate
  135. The MLA style manual
  136. The Paleface
  137. The Scarecrow
  138. The Scarecrow by Architha
  139. The Scarecrow by Gardner
  140. University of Alabama

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