Difference between pages "Building Narrative (Discussion)" and "Cultural Studies, Ethnography (Discussion)"

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==Signs of character<ref name="Dyer">Richard Dyer, ''Stars''</ref>==
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==Basic principles==
#Viewer foreknowledge
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#'''Group 4:''' Explain the original concept of '''ideology''' and how Marx connected it to social classes.
#Character name
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#'''Group 1:''' Explain Antonio Gramsci's (pronounced "GRAM-chee") concept of '''hegemony'''. Provide an example of hegemony in action.
#Appearance
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#'''Group 2:''' Explain what the '''television apparatus''' is and Stuart Hall's theory of media '''encoding'''.
#Objective correlative
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#'''Group 3:''' Explain Stuart Hall's theory of media '''decoding'''.
#Dialogue
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#'''All Groups:''' Explain John Fiske's idea of '''discourse'''. Using ''The Beverly Hillbillies'' episode we viewed for specifics: How would you describe the "hillbilly" discourse and how it conflicts with the "Beverly Hills" discourse?
#Lighting and videography or cinematography
 
#Action
 
  
How are these signs of character used to construct the characters in the "The Vartabedian Conundrum" episode of ''The Big Bang Theory''? These screen shots mostly show their first appearance in this particular episode.
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==Group 4 ==
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#Perform a ''dominant-hegemonic'' reading of ''My So-Called Life''. What would be the result of your reading in terms of representations of gender and sexuality, ethnicity, and youth (vs. middle age)?
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#How could your reading be restated using Morley's notion of discourses encountering one another?
  
<gallery widths=400px heights=300px perrow=2 >
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==Group 2==
Image:BigBangTheory20081117qq00_00_15qq00003.jpg|'''Group 3:''' Leonard Hofstadter (Johnny Galecki)
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#Perform a ''oppositional'' reading of ''My So-Called Life''. What would be the result of your reading in terms of representations of gender and sexuality, ethnicity, and youth (vs. middle age)?
Image:BigBangTheory20081117qq00 00 03qq00001.jpg|'''Group 4:''' Sheldon Cooper (Jim Parsons)
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#How could your reading be restated using Morley's notion of discourses encountering one another?
Image:BigBangTheory20081117qq00 04 38qq00068.jpg|'''Group 5:''' Penny (Kaley Cuoco)
 
Image:BigBangTheory20081117qq00_10_10qq00163.jpg|'''Group 6:''' Dr. Stephanie Barnett (Sara Rue), hospital scene
 
Image:BigBangTheory20081117qq00 08 36qq00134.jpg|'''Group 1:''' Howard Wolowitz (Simon Helberg)
 
Image:BigBangTheory20081117qq00 09 32qq00151.jpg|'''Group 2:''' Raj Koothrappali (Kunal Nayyar)
 
</gallery>
 
  
===Two more screen shots of Sheldon===
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==Group 1==
<gallery widths=400px heights=300px perrow=2 >
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#Perform a ''negotiated'' reading of ''My So-Called Life''. What would be the result of your reading in terms of representations of gender and sexuality, ethnicity, and youth (vs. middle age)?
Image:BigBangTheory20081117qq00 03 59qq00055.jpg|
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#How could your reading be restated using Morley's notion of discourses encountering one another?
Image:BigBangTheory20081117qq00 01 28qq00020.jpg|
 
</gallery>
 
  
==Signs of performance<ref name="Dyer" />==
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==Group 3==
#Vocal
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#What do you feel is the ''preferred reading'' of this episode? What is the preferred reading in terms of representations of gender and sexuality, ethnicity, and youth (vs. middle age)? ("Hall and others often presume that the preferred reading encoded on the text by the television apparatus will be from the dominant position," but in this case it probably is not.)
#Facial
 
#Gestural
 
#Corporeal
 
 
 
==Star texts==
 
#Explain how these terms apply to the study of television stars:
 
#*Stars as texts
 
#*Media text
 
#*Intertextual
 
#*Polysemy
 
#How does the textbook distinguish a "star" from an everyday "actor"?
 
#Choose one star principally known for his or her work on television. What are some attributes of his or her polysemy? Explain how, according to Richard Dyer's approach, his or her polysemy is constructed from:
 
#*Promotion
 
#*Publicity
 
#*Characters on TV programs
 
 
 
===Selected stars===
 
  
 
== Bibliography ==
 
== Bibliography ==
#Jeremy G. Butler, ''Television: Visual Storytelling and Screen Culture'', 5th edition (New York: Routledge, 2018).
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#Butler, Jeremy G. ''Television: Critical Methods and Applications''. Mahweh, NJ: Lawrence Erlbaum Associates, 2007.
 
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# Robert C. Allen, ''Channels of Discourse, Reassembled'', second edition (Chapel Hill: University of North Carolina Press, 1992).
==References==
 
<references/>
 
  
 
==External links==
 
==External links==
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*[http://www.tcf.ua.edu/tvcritgallery/main.php/v/chapter13/ Chapter 13 illustrations]
  
[[Category:JCM311]]
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[[Category:TCF311]]
[[Category:JCM311 Discussion]]
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[[Category:TCF311 Discussion]]

Revision as of 19:22, 16 November 2010

Basic principles

  1. Group 4: Explain the original concept of ideology and how Marx connected it to social classes.
  2. Group 1: Explain Antonio Gramsci's (pronounced "GRAM-chee") concept of hegemony. Provide an example of hegemony in action.
  3. Group 2: Explain what the television apparatus is and Stuart Hall's theory of media encoding.
  4. Group 3: Explain Stuart Hall's theory of media decoding.
  5. All Groups: Explain John Fiske's idea of discourse. Using The Beverly Hillbillies episode we viewed for specifics: How would you describe the "hillbilly" discourse and how it conflicts with the "Beverly Hills" discourse?

Group 4

  1. Perform a dominant-hegemonic reading of My So-Called Life. What would be the result of your reading in terms of representations of gender and sexuality, ethnicity, and youth (vs. middle age)?
  2. How could your reading be restated using Morley's notion of discourses encountering one another?

Group 2

  1. Perform a oppositional reading of My So-Called Life. What would be the result of your reading in terms of representations of gender and sexuality, ethnicity, and youth (vs. middle age)?
  2. How could your reading be restated using Morley's notion of discourses encountering one another?

Group 1

  1. Perform a negotiated reading of My So-Called Life. What would be the result of your reading in terms of representations of gender and sexuality, ethnicity, and youth (vs. middle age)?
  2. How could your reading be restated using Morley's notion of discourses encountering one another?

Group 3

  1. What do you feel is the preferred reading of this episode? What is the preferred reading in terms of representations of gender and sexuality, ethnicity, and youth (vs. middle age)? ("Hall and others often presume that the preferred reading encoded on the text by the television apparatus will be from the dominant position," but in this case it probably is not.)

Bibliography

  1. Butler, Jeremy G. Television: Critical Methods and Applications. Mahweh, NJ: Lawrence Erlbaum Associates, 2007.
  2. Robert C. Allen, Channels of Discourse, Reassembled, second edition (Chapel Hill: University of North Carolina Press, 1992).

External links