Difference between pages "JCM212/Stylistic Analysis/Alternative assignment" and "JCM311 Critical Studies in Television"

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(→‎Chronological order: added 'building narrative')
 
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For those students who do not have their Stylistic Analysis ready for class discussion must create an analysis of the visual style of a scene from ''Mad Men''. Turn it in to Dr. Butler when you're done.
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'''TCF 311 Critical Studies in Television''' is a discussion-oriented course taught by [[User:Jeremy Butler|Jeremy Butler]].
  
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#[https://tcf.ua.edu/EO/DV/MadMenMPEG4.php The scene is available online]. Use tcfaccess and tcf123abc! to access it.
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== Course objectives ==
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#List '''and number''' every shot in the scene and identify what type of framing was used (long shot, medium shot, etc.; you may use abbreviations: LS, MS, CU). Describe any significant action in the shot, using the characters' names. Include only the most significant dialogue; do not include every line.
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#Draw a diagram of the scene's camera positions and blocking. '''Be sure to indicate which shots are done from which camera positions--using the numbers of the shots from your list above.'''
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The online syllabus is over here (Fall 2008):
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#How is the scene’s space, the area in which the action takes place, introduced to the viewer? Does an establishing shot occur at the start of the scene (or later in it)?
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#Do the scene's camera angles adhere to the 180° rule? Is screen direction maintained? If not, why is the viewer not disoriented? Or if the space is ambiguous, what narrative purpose does that serve?
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http://www.tcf.ua.edu/Classes/Jbutler/T311/F08/
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#Does the last shot of the scene bring it to a conclusion or does it raise more narrative questions? Explain.
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#How are match-on-action cuts used? Are there jump cuts?
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== Online study guides ==
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#How does the camera relate to the characters' perspectives? Are there point-of-view or subjective shots? If so, how are those shots cued or marked? That is, what tells us that they are subjective or point-of-view shots?
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===Chronological order===
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#How is shot-reverse shot used? Are there re-establishing shots? What narrative impact do shot-reverse shot and re-establishing shots have? That is, how does the choice of shots help to support the development of the story?
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*[[Narrative Structure (Discussion)]]
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#Do you feel the editing of this scene was effective? Why or why not?
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*[[Building Narrative (Discussion)]]
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*[[Mise-en-Scene (Discussion)]]
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*[[Style and the Camera (Discussion)]]
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*[[Editing (Discussion)]]
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*[[Sound (Discussion)]]
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*[[A History of TV Style (Discussion)]]
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*[[Music Television (Discussion)]]
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*[[The Commercial (Discussion)]]
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*[[Animation (Discussion)]]
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*[[Television Studies: An Overview (Discussion)]]
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*[[Semiotics (Discussion)]]
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*[[Semiotics II (Discussion)]]
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*[[Genre Study (Discussion)]]
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*[[Ideological Criticism (Discussion)]]
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*[[Ideological Criticism II (Discussion)]]
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*[[Feminist Criticism (Discussion)]]
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*[[Feminist Criticism II (Discussion)]]
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*[[Cultural Studies, Ethnography (Discussion)]]
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*[[Postmodernism (Discussion)]]
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===List of lecture notes===
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[[:Category:TCF311 Lecture]]
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===List of discussion notes===
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[[:Category:TCF311 Discussion]]
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==Study groups==
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===[[TCF311 Group 1]]===
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*Christy Abercrombie
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*Bethany Andrews
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*Jonathan Barge
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*Graham Carpenter
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*Chuck Chapleau
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*Marissa De Anda
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===[[TCF311 Group 2]]===
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*Corey Craft
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*Mitch DeAnda
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*Matthew Glasscock
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*Nic Gulas
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*Katie Hallman
 +
 
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===[[TCF311 Group 3]]===
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*Brian Hubble
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*Ben Kallam
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*Amanda Killen
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*Crystal Kohl
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*Meghann Manson
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*Christy McGee
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===[[TCF311 Group 4]]===
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*Laura Oswalt
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*Nathan Phillips
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*Andrew Richardson
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*Rayven Tirado
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*Erin Williams
 +
 
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== Texts & resources ==
 +
 
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===Books===
 +
 
 +
===Articles and book chapters===
 +
 
 +
[[Category:TCF311]]
 +
[[Category:TCF Classes]]

Revision as of 15:29, 2 September 2008

TCF 311 Critical Studies in Television is a discussion-oriented course taught by Jeremy Butler.

Course objectives

The online syllabus is over here (Fall 2008):

http://www.tcf.ua.edu/Classes/Jbutler/T311/F08/

Online study guides

Chronological order

List of lecture notes

Category:TCF311 Lecture

List of discussion notes

Category:TCF311 Discussion

Study groups

TCF311 Group 1

  • Christy Abercrombie
  • Bethany Andrews
  • Jonathan Barge
  • Graham Carpenter
  • Chuck Chapleau
  • Marissa De Anda

TCF311 Group 2

  • Corey Craft
  • Mitch DeAnda
  • Matthew Glasscock
  • Nic Gulas
  • Katie Hallman

TCF311 Group 3

  • Brian Hubble
  • Ben Kallam
  • Amanda Killen
  • Crystal Kohl
  • Meghann Manson
  • Christy McGee

TCF311 Group 4

  • Laura Oswalt
  • Nathan Phillips
  • Andrew Richardson
  • Rayven Tirado
  • Erin Williams

Texts & resources

Books

Articles and book chapters

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