Difference between pages "JCM311 Critical Studies in Television" and "BUI301F2022/Narrative Structure"

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'''TCF 311 Critical Studies in Television''' is a discussion-oriented course taught by [[User:Jeremy Butler|Jeremy Butler]].
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==Classical Hollywood cinema==
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<gallery mode="packed" heights=600px>
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File:Narrative Structure - Classical Film.jpeg|alt=Diagram of classical narrative structure.|''Television'' Figure 3.6 The rise and fall of the narrative action in classical film.
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</gallery>
  
== Course objectives ==
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Does ''Always Be My Maybe'' fit the classical implementation of:
  
The online syllabus is over here (Fall 2010):
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#Single protagonist
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#Exposition
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#Motivation
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#Narrative enigma
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#Cause-effect chain
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#*''Story time'' versus ''screen time''--in terms of duration and order
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#Climax
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#Resolution
  
http://uaops.ua.edu/syllabus/201040/40623
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==The television series==
  
== Online study guides ==
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<gallery mode="packed" heights=600px>
===Chronological order===
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File:Fig03-12 TV Series Narrative Structure - rendered.jpg|alt=Diagram of series-TV narrative structure.|''Television'' Figure 3.12 Linear-TV series' narrative structure must accommodate commercial interruptions and allow for a repeatable narrative problematic.
*[[TV Structure (Discussion)]]
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</gallery>
*[[Narrative Structure (Discussion)]]
 
*[[Building Narrative (Discussion)]]
 
*[[Beyond and Beside Narrative (Discussion)]]
 
*[[Mise-en-Scene (Discussion)]]
 
*[[Style and the Camera (Discussion)]]
 
*[[Editing (Discussion)]]
 
*[[Sound (Discussion)]]
 
*[[A History of TV Style (Discussion)]]
 
*[[Music Television (Discussion)]]
 
*[[The Commercial (Discussion)]]
 
*[[Animation (Discussion)]]
 
*[[Television Studies: An Overview (Discussion)]]
 
*[[Style and Stylistics (Discussion)]]
 
*[[Semiotics (Discussion)]]
 
*[[Semiotics II (Discussion)]]
 
*[[Genre Study (Discussion)]]
 
*[[Ideological Criticism (Discussion)]]
 
*[[Feminist Criticism (Discussion)]]
 
*[[Feminist Criticism II (Discussion)]]
 
*[[Cultural Studies, Ethnography (Discussion)]]
 
*[[Postmodernism (Discussion)]]
 
  
===List of discussion notes===
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Break down the "The Vartabedian Conundrum" episode from ''The Big Bang Theory'' (December 8, 2008). Number each scene and provide a ''brief'' description of it.
[[:Category:TCF311 Discussion]]
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*How many scenes does it have?
  
==Study groups==
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Does the episode contain the conventional elements of a TV series? What are the key differences between its narrative structure and that of a classical film?
{| class="wikitable" border="1"
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#Multiple protagonists
|-
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#Exposition
|
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#Motivation
===Group 1===
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#Narrative problematic
* Lauren Adams
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#Cause-effect chain
* Sara Beth Binford
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#Climax
* Lindsey Clardy
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#Resolution?
* Caitlyn Cofer
 
* Matthew Eichenblatt
 
|
 
===Group 2===
 
* Katrice Ewanich
 
* Dave Folk
 
* Victoria Gale
 
* Chadwick Haynie
 
* Jonathan McMath
 
|
 
===Group 3===
 
* Spencer Perry
 
* Chris Shirley
 
* Melissa Smith
 
* Abby Southerland
 
* Boyd Taylor
 
|
 
===Group 4===
 
* Justin Teel
 
* Reagan Tice
 
* Penny Vinson
 
* Logan Watson
 
* Joe Yardley
 
|}
 
  
== Texts & resources ==
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[[Category:BUI301F2022]]
 
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[[Category:BUI301F2022 Discussion]]
===Books===
 
*Jeremy G. Butler, ''Television: Critical Methods and Applications'', Third Edition (Mahweh, NJ: Lawrence Erlbaum, 2007). See the companion Website at TVCrit.com.
 
*Robert C. Allen, ''Channels of Discourse, Reassembled'', second edition (Chapel Hill: University of North Carolina Press, 1992).
 
 
 
===Articles and book chapters===
 
 
 
[[Category:TCF311]]
 
[[Category:TCF Classes]]
 

Revision as of 19:40, 24 August 2022

Classical Hollywood cinema

Does Always Be My Maybe fit the classical implementation of:

  1. Single protagonist
  2. Exposition
  3. Motivation
  4. Narrative enigma
  5. Cause-effect chain
    • Story time versus screen time--in terms of duration and order
  6. Climax
  7. Resolution

The television series

Break down the "The Vartabedian Conundrum" episode from The Big Bang Theory (December 8, 2008). Number each scene and provide a brief description of it.

  • How many scenes does it have?

Does the episode contain the conventional elements of a TV series? What are the key differences between its narrative structure and that of a classical film?

  1. Multiple protagonists
  2. Exposition
  3. Motivation
  4. Narrative problematic
  5. Cause-effect chain
  6. Climax
  7. Resolution?