Difference between pages "JCM412512/Analytical Exercise (Discussion)" and "BUI301F2022/Narrative Structure"

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http://www.tcf.ua.edu/Classes/Jbutler/T440/AnalExIllustrations.htm
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==Classical Hollywood cinema==
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<gallery mode="packed" heights=600px>
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File:Narrative Structure - Classical Film.jpeg|alt=Diagram of classical narrative structure.|''Television'' Figure 3.6 The rise and fall of the narrative action in classical film.
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</gallery>
  
#'''Group 1:''' Describe the mise-en-scene of the scene shown in class (the second kiss).  How does mise-en-scene function in term of the narrative? That is, how does it help to build the characters and their relationship?  Be sure to discuss setting, costume, lighting, and blocking. (15 points)
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Does ''Always Be My Maybe'' fit the classical implementation of:
#'''Group 2:''' In one shot, Bertram speaks with Sugarpuss. Note: This shot is not from the scene of the second kiss, which is to be used in questions #1 and #5. Discuss the cinematography (especially camera angle, framing and depth of field) of this shot in terms of how it supports the narrative.
 
#'''Group 3:''' How do the story and the plot of the film differ in order, duration and/or frequency?
 
#'''Group 4:''' Does Ball of Fire follow the narrative conventions of classical cinema—as Bordwell and Thompson explain it?  Explain, with specific reference to individual scenes.
 
#'''Group 1:''' Draw a single diagram of the professors’ work room from an overhead, “bird’s eye” view.  Indicate the main camera and actor positions of the scene shown in class of the second kiss.  Label the camera positions “1,” “2,” etc.—as we did in the class editing exercise.  Does the editing adhere to the 180 degree system?  Explain.
 
#'''Group 2:''' How would you describe the sound perspective in the Ball of Fire scene analyzed above? Judging from how it sounds, what conventional position of the microphone was used? Explain.
 
#'''Group 3:''' Is  the music in Ball of Fire diegetic, nondiegetic, or both?  Cite examples.
 
  
[[Category:TCF440/540 Discussion]]
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#Single protagonist
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#Exposition
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#Motivation
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#Narrative enigma
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#Cause-effect chain
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#*''Story time'' versus ''screen time''--in terms of duration and order
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#Climax
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#Resolution
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==The television series==
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<gallery mode="packed" heights=600px>
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File:Fig03-12 TV Series Narrative Structure - rendered.jpg|alt=Diagram of series-TV narrative structure.|''Television'' Figure 3.12 Linear-TV series' narrative structure must accommodate commercial interruptions and allow for a repeatable narrative problematic.
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</gallery>
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Break down the "The Vartabedian Conundrum" episode from ''The Big Bang Theory'' (December 8, 2008). Number each scene and provide a ''brief'' description of it.
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*How many scenes does it have?
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Does the episode contain the conventional elements of a TV series? What are the key differences between its narrative structure and that of a classical film?
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#Multiple protagonists
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#Exposition
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#Motivation
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#Narrative problematic
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#Cause-effect chain
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#Climax
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#Resolution?
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[[Category:BUI301F2022]]
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[[Category:BUI301F2022 Discussion]]

Revision as of 19:40, 24 August 2022

Classical Hollywood cinema

Does Always Be My Maybe fit the classical implementation of:

  1. Single protagonist
  2. Exposition
  3. Motivation
  4. Narrative enigma
  5. Cause-effect chain
    • Story time versus screen time--in terms of duration and order
  6. Climax
  7. Resolution

The television series

Break down the "The Vartabedian Conundrum" episode from The Big Bang Theory (December 8, 2008). Number each scene and provide a brief description of it.

  • How many scenes does it have?

Does the episode contain the conventional elements of a TV series? What are the key differences between its narrative structure and that of a classical film?

  1. Multiple protagonists
  2. Exposition
  3. Motivation
  4. Narrative problematic
  5. Cause-effect chain
  6. Climax
  7. Resolution?