Difference between pages "Melodrama Variations: TV Soap Opera (Discussion)" and "Mise-en-Scene (Discussion)"
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− | + | #'''Group 1:''' What are icons? What is iconography? Discuss examples from in-class episodes of ''Designing Women'', ''Girlfriends'', or ''My So-Called Life''. | |
− | + | #'''Group 2:''' What narrative impact does the economic decision to shoot on studio sets have on sitcoms (with studio audiences) and soap operas? (What differences are there between the studio set-up of these two genres?) That is, how does set design shape the way stories are told? | |
− | + | ##Of the sitcoms we've seen in class (''The Andy Griffith Show'', ''[[Building Narrative (Discussion)|The Cosby Show]]'', ''Designing Women'', ''Girlfriends''), which are shot on studio sets with studio audiences? | |
− | + | #Lighting questions: | |
− | + | ##'''Group 3:''' What are the characteristics of three-point lighting? What function does each "point" serve? Pretend you are a director of photography (DP). Describe a scene that might ''not'' use three-point lighting and explain why. | |
− | + | ##'''Group 4:''' What is the difference between high-key and low-key lighting? And what is chiaroscuro? Pretend you are a director of photography (DP). Describe a scene that might use each of these techniques. | |
− | # | + | #Describe the mise-en-scene of the ''Northern Exposure'' [http://www.tcf.ua.edu/Classes/Jbutler/T311/MiseEnSceneNorthernExposure.htm scene with Joel and Jules]. How are aspects of the characters (Joel, Jules, Maggie, Ed) communicated through mise-en-scene? That is, what would we know about the characters even if there were no dialogue in this scene? |
− | #''' | + | #*'''Group 1:''' costume design, iconography |
− | #''' | + | #*'''Group 2:''' set design |
− | + | #*'''Group 3:''' lighting design | |
− | + | #*'''Group 4:''' blocking and figure movement | |
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== Bibliography == | == Bibliography == | ||
− | #Jeremy G. | + | #Butler, Jeremy G. ''Television: Critical Methods and Applications''. New York: Routledge, 2012. |
− | |||
==External links== | ==External links== | ||
− | *[http://www. | + | *[http://www.routledge.com/cw/butler-9780415883283/s1/gallery-06/ ''Northern Exposure'' images] on the ''Television'' gallery. |
− | + | *[http://www.tcf.ua.edu/EO/DV/NorthernExposureDinner.php ''Northern Exposure'' dinner scene]. | |
− | + | *[http://www.tcf.ua.edu/EO/DV/NorthernExposureTheBrick.php ''Northern Exposure'' scene in The Brick] | |
− | *[http://www.tcf.ua.edu/EO/ | + | *[http://www.routledge.com/cw/butler-9780415883283/s1/gallery-07/ ''Television'', chapter 7 illustrations] |
− | * | + | *[http://www.tcf.ua.edu/Classes/Jbutler/T311/Girlfriends/ ''Girlfriends'' illustrations] |
− | *[http://www. | ||
− | [[Category: | + | [[Category:TCF311]] |
− | [[Category: | + | [[Category:TCF311 Discussion]] |
Revision as of 18:55, 29 October 2013
- Group 1: What are icons? What is iconography? Discuss examples from in-class episodes of Designing Women, Girlfriends, or My So-Called Life.
- Group 2: What narrative impact does the economic decision to shoot on studio sets have on sitcoms (with studio audiences) and soap operas? (What differences are there between the studio set-up of these two genres?) That is, how does set design shape the way stories are told?
- Of the sitcoms we've seen in class (The Andy Griffith Show, The Cosby Show, Designing Women, Girlfriends), which are shot on studio sets with studio audiences?
- Lighting questions:
- Group 3: What are the characteristics of three-point lighting? What function does each "point" serve? Pretend you are a director of photography (DP). Describe a scene that might not use three-point lighting and explain why.
- Group 4: What is the difference between high-key and low-key lighting? And what is chiaroscuro? Pretend you are a director of photography (DP). Describe a scene that might use each of these techniques.
- Describe the mise-en-scene of the Northern Exposure scene with Joel and Jules. How are aspects of the characters (Joel, Jules, Maggie, Ed) communicated through mise-en-scene? That is, what would we know about the characters even if there were no dialogue in this scene?
- Group 1: costume design, iconography
- Group 2: set design
- Group 3: lighting design
- Group 4: blocking and figure movement
Bibliography
- Butler, Jeremy G. Television: Critical Methods and Applications. New York: Routledge, 2012.