Noir & Sexuality (Lecture)

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General feminism

1st wave feminism

Suffragettes – advocating women’s right to vote

1869 National Women’s Suffrage Association

2nd wave feminism

Late 1960s

Kate Millett, Sexual Politics, 1969

  • She thinks that "politics" equals "power relations". As for "Sexual Politics", it's about who is in control and who is controlled.
  • Power relationships between genders.
    • contemporary U.S. society is patriarchy.
    • patriarchy is a society where men have dominant positions of power.

Feminist topics, historically speaking

1. Equal job opportunity

  • "Equal pay for equal work."
  • Equal opportunity for hiring/promotions (particularly seen in the 1970s).

E.g., only men could work as firefighter or police officer, or work in construction.

2. Free or inexpensive day care

  • Many women still assume the primary care-giving role.
  • Give women the option to work outside the home.

3. Violence against women, specifically rape

  • Political issue instead of a moral issue.
    • Violence against women is a power issue that it's part of how men overpower women.

4. Abortion

  • Most disagreement with feminism.
  • Those who believe in accessible abortion: A woman's right to control her body. (Pro-choice)
  • Those who don't: Life begins at conception. (Pro-life)

5. Image or representation of women in media

It includes Film, TV, print pubs, Internet, advertising, Painting, and sculpture.

Feminist theory and cinema

1. Sociological interpretation of “stereotypes”

  • Earliest feminist film criticism tended to take sociological interpretation of "stereotypes".
    • particularly interested in how image of women in film is related to a particular culture or society.
  • Direct reflection of society
  • Expression of society’s repressed desires
    • viewers prefer to see fantasies that are different from everyday experiences. E.g., film noir's "spider women" at a time when women were suppressed.
    • The strong and independent women of film noir is the repressed desire of women during this time period.
  • Molly Haskell, From Reverence to Rape (1974)
  • Marjorie Rosen, Popcorn Venus

2. Gender identity

  • it's closely related to stereotypes.
  • Gender roles as social constructions
    • What does it mean to be Feminine and masculinity?
    • It's more important than biological differences.
  • Particularly interested in the blurring of the those divisions
    • Crossover figures: e.g., Marlene Dietrich, Madonna

3. Rediscovery of women auteurs

  • Original auteur theory privileged men
    • This was because there were not many female directors in the 40s, 50s, and 60s.
  • E.g., Dorothy Arzner
  • E.g., Dance Girl Dance
    • Check to see whether there is any difference between how women are portrayed in her films and films directed by men.

4. Pornography

  • Sexually explicit material
  • Disagreement within feminism
    • Those who oppose it due it from the perspective of sexual politics, not moral.
    • Turns women into sexual objects
    • Silent women
    • Represses female desire
    • Subjugates women (and makes them powerless)
  • Complicated by changes in porn since videotape opened it to women

5. Woman-as-spectacle

  • Influenced by Sigmund Freud, as re-read by Jacques Lacan (a French psychologist)
  • Laura Mulvey, “Visual Pleasure and Narrative Cinema”, Screen, 1975
    • Used voyeurism as a metaphor for film viewing: Pleasure is received by viewers, but a key component to voyeurs is that they are not looked back at. Film viewing is like that. You look at the screen and they don't look back at you.
    • Film viewer as voyeur, women on screen as spectacle.
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